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When Science Meets Fiction!

(October 4, 2004) - For Kathy Reichs, there’s no question that novels are an effective means of bridging the gap between science and the general public. Her best-sellers Déjà Dead, Death du Jour and Grave Secrets, to name a few, prove it. An introduction to the woman who so rigorously and successfully novelizes forensic science.

You’re a forensic anthropologist who’s written a string of best-sellers. Do you consider yourself a scientist or a popularizer?

A scientist, first of all, because it’s my profession. And a popularizer because, as an author, I translate the scientific methods and techniques used in the forensic sciences for people unfamiliar with them.

Is it hard to explain your work as a forensic anthropologist to a general audience?

Yes, it’s a difficult process. For example, some aspects of my work oblige me to rigorously select details and describe them accurately without any sensationalism. Moreover, talking to the general public is not the same as talking to your colleagues. There are three basics: avoid scientific jargon, explain in accurate simple words, and entertain.

Do you think people clearly understand the scientific information found in your novels?

Some people might not get all the details but one thing is certain: every reader knows very clearly what forensic anthropology is on the whole and understands the validity of the scientific techniques used. One reason I think people love my novels so much is precisely because they learn things by reading them.

Are novels a good medium for conveying scientific information?

Obviously I’m sold on the idea. That’s what drove me to write. You can put your scientific knowledge into a work of fiction without abandoning your fun side. It lets me share science with many more people and stimulate their interest in it. Entertainment and conveying knowledge are not incompatible.

Your work as a scientist feeds your career as a novelist. What about the other way around? Does your career as an author influence your scientific efforts?

In a way, yes. My writing has led me to pay closer attention to certain details I didn’t notice before — details that, in the context of a novel, describe the world in which forensic anthropologists are immersed. Examples? The smell of death, the buzz of a fly.

Is novelized science a way of the future for science journalists?

It all depends on the kind of knowledge you want to convey and the audience you want to reach because while fiction reaches a large number people, it also has its limits. It’s an excellent medium for providing an introduction to any scientific topic, but not for reporting accurate findings. Popular magazines are more suitable for that. The fact remains, however, if you want to convey scientific information, fiction can be a very effective way to do it, as the success of my novels proves.

A happy coincidence, the French translation of her sixth novel, Bare Bones, hits bookstores this week. Dead bodies, intrigue and scientific techniques come together against a background of trafficking in the organs of endangered species.


Don’t miss Kathy Reichs’ keynote address on How Science Becomes Fiction — Good News for Science Journalists from 8:30 to 9 a.m. on Tuesday, October 5.

Interview by Anny Guindon